a life of felt

Archive for the ‘past workshops’ Category

Low relief and texture workhop

Wednesday, May 16th, 2012

This workshop was nearly a week ago, how time files. We began the day by producing pieces in white Merino using low relief techniques. The day was a little dark and overcast so the photos aren’t great but the felt is rather good and I’ve chosen the best photos for you.

This piece is by Mich and the centre ridge was created by cutting off a section of the felt at pre-felt stage and stitching it back on.

There’s a lot going on with Lesley’s including some unfelted fleece. After this we focused on texture in the felt by adding, fabrics,yarns, threads, plant fibres, recycled items and cut back techniques.

Various fabrics on here including cotton scrim, polyester, muslin, silk, crystal organza, wired ribbon and recycled nets. Mich did very well with the colours, it’s such a vibrant piece.

Jo added knitting and crochet to her felt and you can see where she’s started cutting back to reveal other coloured layers underneath. There are eight egg shaped low relief areas which Jo will reveal but she wanted to take her time on this so hopefully we’ll see a picture of he finished item later.

Nuno scarf workshop

Monday, April 23rd, 2012

I was so tired Friday night that I went to bed early and left preparing for the workshop until Saturday morning, imagine my surprise then when the only thing I forgot to take with me was a camera. It has to be said that I struggled more than usual with remembering names on the day, obviously still tired but despite any shortcoming from me the group produced some fabulous felt.

This is always the trickiest part, the choosing of the colours. We began by creating two samples, one on cotton muslin and one on a synthetic fabric. This allowed people to try a few ideas and also to see how different fabrics gave different textures when nuno felted.

Sue’s first sample on synthetic fabric. Lovely colours.

Mich spent ages creating this beautiful sample on cotton muslin and it includes a cut in the fabric.

Claire was trying out the effects of varying amounts of fibre on the fabric. Working in different colours helped to identify where one weight ended and another began.

Janette very bravely tried both rovings and more synthetic fabric onto her synthetic sample. Some of the samples were very beautiful but what they enabled everyone to do was to identify what they liked about each one and which elements they’d like to include in their finished scarf. I find this approach is very helpful, especially if you have new felters in the group.

This is Sue’s scarf with a synthetic fabric strips and lace included. It has Wensleydale curls on the end and you can see the ends have also been shaped into points.

Created by Stephanie and inspired by her drive across from Cheshire. Merino fibres with silk and soya fibre embellishment. Everyone loved it.

Here is Tracy’s scarf laid out ready for felting. You can see that the ends are shaped and also that there’s a line of fibre before the edge of the fabric. As the wool felts it’ll create a slight frill along the edge of the scarf.

Tracy was very game to model it whilst it was still wet and the photo doesn’t do it justice.

Susan created this and you’d never believe it was her first piece of felt would you. I think she did incredibly well, the white circle was inspired and finished the design off well. I also like the cut leaf  on the end.

Janette’s scarf has lace along the ends as well as in the body, boucle yarn along the edges and has a definite romantic feel to it. Just beautiful. Finally, I must thank Janette and Tracy without whom there’d have been no photos to show you. Thanks ladies.

 

Sssh – it’s a present

Friday, March 30th, 2012

I think I’m safe to share this here with you as the intended recipients aren”t known to be  great surfers. As many of you may be aware Ian and Margaret have decided to retire from Adelaide Walker next month and I wanted to give them a small present to mark the occasion. Obviously it needs to include fibres so I began with Blue Faced Leicester. Not having any oatmeal colour at home I blended some myself using black/brown and white.

This is now made up into a pre-felt but I still need to put a picture onto it and this is what I’ve chosen to do.

I have a plan for putting the sheep onto the felt, I just hope it works and will show you how it comes along in the next post.

Tip – working with pre-felt

Tuesday, March 27th, 2012

Pre-felt is, as it sounds, a piece of felt that hasn’t been fully felted but remains soft and can usually be cut up and put into further felting. Occasionally, if you’ve felted the wool a little too far it can be difficult to get the pre-felt to stick without stitching or needle felting it on. But if your pre-felt looks like this

You can see most of the fibres have already locked down and a skin has been formed.  Using either a hand carder or dog brush just brush the fibres on the back of the pre-felt until they’re all fluffy.

Your pre-felt will then adhere to further felting without the need for stitching.  I’ll put this onto the hints and tips page.

Stitched in felt workshop

Friday, March 23rd, 2012

It was one of my favourite workshops yesterday as we combined felt making with a few simple stitches. We began by stitching into the fabric before we then laid out the fibres.

It’s always interesting to see what colours people use. In addition to fabrics, silk and crab fibres, rovings, yarn and neps were added for more interest and texture. Then began the rubbing and rolling.

We stopped at the pre-felt stage and added more stitches and then again at the end.

You could hear a pin drop at this stage as everyone is concentrating so hard. Not that the stitching is difficult, you don’t need to know a lot of stitches, one of the most effective is a simple running stitch. First book cover up is Liz’s.

This isn’t a set of colours that I’d normally use but I just love the subtlety. We used muslin, silk chiffon, silk and crystal organza fabrics.

Fabulous striking purples, blues and pinks by Jeni with textured chain stitch in a metallic thread.

Jackie chose to keep it as a hanging and achieved some great textures adding lace and a chopped up metallic scarf to the mix.

Wonderful colours from Julia. Those of you who know my love of the sea and rust will understand why I’m loving this. What they all have in common is lots of colour, movement and texture. Stitches put into the fabric before we began felting completely disappear into the background and become part of the overall pattern. Stitching at the pre-felt stage has softened off and stitching done at the end stays proud so that they all contribute to the whole but at different levels.

New project

Wednesday, March 21st, 2012

At Yarnival on Saturday I received my next project. It takes quite a bit of space up I discovered, especially whilst trying to fit it into a car full of fibres, fleece and 3 people. Suffice to say, it was a squeeze. My poor long suffering husband just sighed and kept moving things around until everything fitted.

It came from Kate and I’m very grateful for it as I really fancy having another go at spinning. It’s been in a loft for quite a while and has a screw missing (which of us doesn’t?) and needs a little TLC. Fortunately for me, Freyalyn is very good with spinning wheels and is leading me through it’s restoration and has already fitted a new drive belt. I now have the replacement screw and hope to be up and running very soon.

 

Slippers and chicken combs

Thursday, March 8th, 2012

I know I always seem to say this but I really do mean it, we had an absolutely fabulous day on Saturday. We were making slippers using Norwegian and English wool plus chicken combs.People worked really hard on these and some were complete beginners at felting. here’s a short selection of what was made.

 

From top left going clockwise, slippers are by Mich, Cheree, Alison and Liz. It amuses me to look round the room and half the people seem to be missing as they’re bent double trying them on!

As for the chicken combs, well that was Angela from Yorkshire Hurdles keen to incorporate felting into her willow weaving. A good job of it she made too. If you fancy going on a willow course, Angela is a good tutor, did you see my dragonfly

We has a significant birthday in the house too so the day was punctuated by a rendition of Happy Birthday (with yummy cake) followed by an incredible buffet lunch supplied by Angela, Claire and Gill (hope I’ve spelt those right). Thank you so much ladies, a thoroughly enjoyable day.

P.S. A heartfelt thank you for assistance with the great day end,  putting away task

Needle felting workshop

Thursday, March 1st, 2012

As no-one had used a felting needle previously, we began with a few basic needle skills and the useful exercise of making small brooches using scrap felt, threads, fabrics and yarns.

There were some lovely textures created. Lots of people use Norwegian wool fibres for needle felting as they’re very easy and come in a great range of colours. However, we shouldn’t overlook some of the other wools which also needle felt well. We used white Cheviot, grey Jacob and black Welsh. These don’t come ready dyed but, they make great base colours, are British and inexpensive. Although I had a wide range of dyed Norwegian available everyone, including me, used naturals for the bulk of the figures.

This is mine, very cutesy isn’t it? I thought perhaps it might make a Mothering Sunday present.

Created by Jane, this is just adorable and is leaning on a lichen covered log. We began with a few sausage shaped rolls and once we started on facial features it was amazing what creatures emerged from the wool. That isn’t curly hair by the way, it’s a hat.  No two are alike as you will see.

Isn’t he funky? Nicky’s creation is very appealing with his pink mohican hair and pot belly.

Mich worried what this character said about her imagination / personality. Despite holding the head of another creature I think this looks mischievous rather than evil. What say you?

This rotund little bird is by Jeni and is full of fun and character with added pre-felt and yarns. Hubby was in his office during the workshop and all he heard was silence punctuated by stabbing sounds (needles going into sponges) and sudden gales of laughter as we showed the latest addition to our little characters. I’ll definitely be running this again in the Autumn so keep an eye out for dates.

First workshop of the year

Saturday, February 4th, 2012

Every time I run a workshop it’s fun and today was no exception. Good company, lots of laughs and some quite fabulous pieces of felt. So far this winter we’ve had very little snow, so why oh why did it have to snow today? Here’s a lovely winter scene from the village hall.

Isn’t it adorable. It’s not quite as out of focus as you think, it had started to snow. But enough of the weather, here’s a few of those bags you were all waiting to see – I did say it was a bag workshop did I?

This lovely bag was made by Jeni and has a pocket on the inside. I changed the workshop slightly today and brought Blue Faced Leicester fibres for people to use in oatmeal and black. It’s a brilliant British fibre and well worth trying for yourself.

In order, we have loveliness from Lindsay, Angela and Elaine. All handles and catches are felted in, the flashes of colour are provided by Merino fibres and Elaine’s bag also has vegetable bags included. A nice bit of recycling.

The top bag is by Cera with an all over spot decoration and internal pocket. The bottom bag is by Pauline and has Merino fibres and Wensleydale curls.

Top bag by Pauline, her first ever piece of felt, pretty good it is too, lovely solid felt. Bottom left is by Karen another first time felter who did a great job, you’d never have guessed it was her first piece. Bottom right is understated gorgeousness by Sue and it has 2 internal pockets. We tried really hard to finish early but what is this, a lone felter?

Yes, I’m sorry to say Lesley was naughty and had to stay behind. No, not really, this is what you call dedication and perseverance when all around you have left.

It was worth the work though wasn’t it and when the Wensleydale curls dry they’ll look even fluffier, what a fab bag. Thank you ladies for a great day and I hope everyone got home okay. Do please send photos when they’re dry and you’ve added buttons.

W.I.P. – not any more!

Sunday, January 22nd, 2012

I’ve so enjoyed blending these colours.

Some of the edges on thn early strips weren’t really very good and when I began to sew the strips together it became a little obvious. This meant you could see the white cushion pad, so I used an old sheet which recently ripped to create a new coloured inner.

The sheet was the better part of twenty years old so it certainly didn’t owe us anything. There’s some green in the wools so it was a happy coincidence.

It’s 20 square inches of happiness :-)

To combine the strips I began by crocheting them together, it didn’t work for me so I used blanket stitch, that didn’t work and I eventually settled on a simple whip stitch.

Seams inside or seams outside? Seams outside was my decision as it gives extra texture. I chose a bright-ish orange to stitch the strips together just because I’ve a lot of that colour but it has worked well.

We all seem to prefer the first side I showed you with more obvious differences in the width of the strips. I’m so happy when I look at it that  I’ve started a smaller one to keep it company. There’ll still be left overs.