a life of felt

Posts Tagged ‘past workshops’

Nuno scarf workshop

Monday, April 23rd, 2012

I was so tired Friday night that I went to bed early and left preparing for the workshop until Saturday morning, imagine my surprise then when the only thing I forgot to take with me was a camera. It has to be said that I struggled more than usual with remembering names on the day, obviously still tired but despite any shortcoming from me the group produced some fabulous felt.

This is always the trickiest part, the choosing of the colours. We began by creating two samples, one on cotton muslin and one on a synthetic fabric. This allowed people to try a few ideas and also to see how different fabrics gave different textures when nuno felted.

Sue’s first sample on synthetic fabric. Lovely colours.

Mich spent ages creating this beautiful sample on cotton muslin and it includes a cut in the fabric.

Claire was trying out the effects of varying amounts of fibre on the fabric. Working in different colours helped to identify where one weight ended and another began.

Janette very bravely tried both rovings and more synthetic fabric onto her synthetic sample. Some of the samples were very beautiful but what they enabled everyone to do was to identify what they liked about each one and which elements they’d like to include in their finished scarf. I find this approach is very helpful, especially if you have new felters in the group.

This is Sue’s scarf with a synthetic fabric strips and lace included. It has Wensleydale curls on the end and you can see the ends have also been shaped into points.

Created by Stephanie and inspired by her drive across from Cheshire. Merino fibres with silk and soya fibre embellishment. Everyone loved it.

Here is Tracy’s scarf laid out ready for felting. You can see that the ends are shaped and also that there’s a line of fibre before the edge of the fabric. As the wool felts it’ll create a slight frill along the edge of the scarf.

Tracy was very game to model it whilst it was still wet and the photo doesn’t do it justice.

Susan created this and you’d never believe it was her first piece of felt would you. I think she did incredibly well, the white circle was inspired and finished the design off well. I also like the cut leaf  on the end.

Janette’s scarf has lace along the ends as well as in the body, boucle yarn along the edges and has a definite romantic feel to it. Just beautiful. Finally, I must thank Janette and Tracy without whom there’d have been no photos to show you. Thanks ladies.

 

Stitched in felt workshop

Friday, March 23rd, 2012

It was one of my favourite workshops yesterday as we combined felt making with a few simple stitches. We began by stitching into the fabric before we then laid out the fibres.

It’s always interesting to see what colours people use. In addition to fabrics, silk and crab fibres, rovings, yarn and neps were added for more interest and texture. Then began the rubbing and rolling.

We stopped at the pre-felt stage and added more stitches and then again at the end.

You could hear a pin drop at this stage as everyone is concentrating so hard. Not that the stitching is difficult, you don’t need to know a lot of stitches, one of the most effective is a simple running stitch. First book cover up is Liz’s.

This isn’t a set of colours that I’d normally use but I just love the subtlety. We used muslin, silk chiffon, silk and crystal organza fabrics.

Fabulous striking purples, blues and pinks by Jeni with textured chain stitch in a metallic thread.

Jackie chose to keep it as a hanging and achieved some great textures adding lace and a chopped up metallic scarf to the mix.

Wonderful colours from Julia. Those of you who know my love of the sea and rust will understand why I’m loving this. What they all have in common is lots of colour, movement and texture. Stitches put into the fabric before we began felting completely disappear into the background and become part of the overall pattern. Stitching at the pre-felt stage has softened off and stitching done at the end stays proud so that they all contribute to the whole but at different levels.

Slippers and chicken combs

Thursday, March 8th, 2012

I know I always seem to say this but I really do mean it, we had an absolutely fabulous day on Saturday. We were making slippers using Norwegian and English wool plus chicken combs.People worked really hard on these and some were complete beginners at felting. here’s a short selection of what was made.

 

From top left going clockwise, slippers are by Mich, Cheree, Alison and Liz. It amuses me to look round the room and half the people seem to be missing as they’re bent double trying them on!

As for the chicken combs, well that was Angela from Yorkshire Hurdles keen to incorporate felting into her willow weaving. A good job of it she made too. If you fancy going on a willow course, Angela is a good tutor, did you see my dragonfly

We has a significant birthday in the house too so the day was punctuated by a rendition of Happy Birthday (with yummy cake) followed by an incredible buffet lunch supplied by Angela, Claire and Gill (hope I’ve spelt those right). Thank you so much ladies, a thoroughly enjoyable day.

P.S. A heartfelt thank you for assistance with the great day end,  putting away task

Needle felting workshop

Thursday, March 1st, 2012

As no-one had used a felting needle previously, we began with a few basic needle skills and the useful exercise of making small brooches using scrap felt, threads, fabrics and yarns.

There were some lovely textures created. Lots of people use Norwegian wool fibres for needle felting as they’re very easy and come in a great range of colours. However, we shouldn’t overlook some of the other wools which also needle felt well. We used white Cheviot, grey Jacob and black Welsh. These don’t come ready dyed but, they make great base colours, are British and inexpensive. Although I had a wide range of dyed Norwegian available everyone, including me, used naturals for the bulk of the figures.

This is mine, very cutesy isn’t it? I thought perhaps it might make a Mothering Sunday present.

Created by Jane, this is just adorable and is leaning on a lichen covered log. We began with a few sausage shaped rolls and once we started on facial features it was amazing what creatures emerged from the wool. That isn’t curly hair by the way, it’s a hat.  No two are alike as you will see.

Isn’t he funky? Nicky’s creation is very appealing with his pink mohican hair and pot belly.

Mich worried what this character said about her imagination / personality. Despite holding the head of another creature I think this looks mischievous rather than evil. What say you?

This rotund little bird is by Jeni and is full of fun and character with added pre-felt and yarns. Hubby was in his office during the workshop and all he heard was silence punctuated by stabbing sounds (needles going into sponges) and sudden gales of laughter as we showed the latest addition to our little characters. I’ll definitely be running this again in the Autumn so keep an eye out for dates.

Mixed media workshop

Tuesday, November 22nd, 2011

Saturday was just such a lovely workshop, people were chatting away, organising tea runs and generally having a good time, it was inspiring to be around these ladies.

It was very much a play / experimentation day as we combined, rag rugging, weaving, knitting,
crochet and other textures with felt making.

Each piece is so individual. We were speculating on whether anyone would be able to tell who had made each piece from the colours and textures used. I reckon if you knew someone in the room you’d have a good chance but may not know without that prior knowledge. What do you reckon?

We also wondered what our felt said about each of us but perhaps it’d be better not to go there.

Some people pushed themselves on colour, some on technique but every single one is fabulous. the
worst part for me is that I don’t get to keep any of them.

 

p.s. Thanks for the cake Dawn.

I’m delighted to be able to show you Claire’s finished cushion. It looks brilliant.

Remember this?

Tuesday, October 11th, 2011

At the beginning of October I ran a workshop where we made 3D items in British wool. A couple
of the items were well on their way but not quite finished.
Do you remember these from my earlier post?

Well just look at them now. They look fantastic Judith thanks so much for sending in your photos.

Weekend wool work

Monday, October 3rd, 2011

A whole weekend of making great felted items from a variety of British wools with a very friendly group.
That sums up my weekend and here are the photos to show what was created.

Created by Alex using hand dyed Swaledale wool. I like using Swaledale fleece, it’s hardwearing
and takes dye very well as you can see.

Liz worked hard on this cute little pot. It’s Black Welsh Mountain  with Jacob and Wensleydale curls.

This characterful chicken (Betty, yes we do know it’s the cockerels that have long tail feathers)
is destined to be a doorstop in Cheree’s home. It’s made from Swaledale wool.

Liz tried a different style of bag which wasn’t quite as planned but was a great first attempt at this style.
It’s made entirely in Blue Faced Leicester wool.

Cheree’s Black Welsh Mountain handbag with bright red Blue Faced Leicester interior.
The plan is to decorate it further with crocheted flowers.

This unusual sculpture is from Alex and it’s based on a seed pod acquired on her travels. So sorry
the photo isn’t better but it’s the only one I have. Alex made it using Black Welsh Mountain and plans
to use french knot stitches to give it a textured exterior.

This fun sheep was made by Judith using Swaledale, Cheviot and Blue Faced Leicester wools.
It’s going to get  legs and an even shaggier coat, I can’t wait to see the photos.

Using the same shape as Cheree, Judith made this lovely bird for a very
special purpose – to keep her eggs in!
I’ve been promised pictures of it finished with more feathers around the tail end.

Over the weekend we had two clear winners on the wool tops front – Swaledale
and Black Welsh Mountain. Both are coarser wools from hill sheep
but it goes to show that they felt very well and can even earn places as favourites.
Go on, give British wools a try, you may surprise yourself.

Pre-felts and wool papers

Monday, April 18th, 2011

This was the subject of my workshop last Thursday. Firstly an explanation for you non or new felters. Pre-felt is part made felt where you stop working at an early stage and the felt is still very soft which enables it to be cut up and re-used. Wool paper is made in the same way as silk paper but using wool fibres. It’s quite a simple process and I’ll put up a tutorial very soon.

The two examples above show work with pre-felts using a mosiac (sometimes called inlay) technique. In the green and yellow example a shape has been cut from each piece and swopped over. After stitching together with wool yarn to become part of the pattern it has then been felted into one piece of fabric. The colourful example is many pieces stitched together to form a picture also with stitching that has become part of the piece. It is possible to do invisible stitches but unfortunately I don’t have a picture of the one that Judith made. Working this way gives crisp edges to work, clear colours (no background fibres coming through) and allows the felt to remain an even thickness.

The examples above show the pre-felts cut up and laid on top of other pre-felts to create pictures (onlay technique). Again, you retain great control of shapes but where you place the pre-felts you’re actually building up the layers of fibre and making the felt thicker in that one area. You can see the extra thickness best perhaps on the red flower in the bottom left hand corner.

Wool papers are used in the same way as pre-felts, by cutting up and placing onto other fibres or pre-felts. As you add the soapy water the paste is dissolved and the fibres felt together. One advantage it does have is that you can make the wool paper much finer than a pre-felt and still get a crisp edge to shapes whilst allowing colours beneath to show through a lot. The examples above have both pre-felts and wool papers on them.

Nuno felting workshop

Wednesday, April 6th, 2011

Eight fabulous ladies made eight magnificent scarves on Saturday, I apologise for my tardiness in showing them to you.

We began by making a sample using cotton muslin and tried incorporating, silks, curls, rovings, pre-felts and other fabrics. This allowed us to see which effects we liked before moving on to make a full size scarf.

The scarves were worked on a base of silk chiffon and after some rolling and some very vigorous throwing they look brilliant. Be warned by Liz’s comment “I could hardly move my right arm above shoulder height yesterday – repercussions of enjoying the “throwing” stage a little too vigorously I think!”

The yellow ribbon like structure on the final scarf is where cotton muslin has been felted onto the silk chiffon – effective isn’t it? I hope you find these pictures inspiring.

Stitched in felt

Friday, April 1st, 2011

Last Saturday I was in Ulverston teaching a group to make felt book covers embellished with stitch. We began by putting some stitches into pieces of fabric, laid out the fibres and them began felting.

Once the felt was at the pre-felt stage we dried it off as best we could and put more stitches into the work.

It was then time to finish felting it. Of course now the felting is finished there’s lots more embellishing that can be done and the best thing is that the more stitch that is put in the better it becomes. It builds up layers of rich texture.

I’m not sure if the ladies realised how much they learned on Saturday – how to felt, felting to a specific size, controlling the shape and incorporating fabrics and threads. Quite a lot really for just one day. I enjoyed the day, they were a pleasure to work with and the lunch was very nice – thank you.